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A Masterpiece
An intense and quintessentially Russian novel.The story line is deceptively simple. An unidentified narrator, a great admirer of Dostoevsky, is traveling by train to various sites associated with Dostoevsky. As he travels, he reads a Dostoevsky novel, musing about characters in Dostoevsky's novels and events in his life, his honeymoon and marriage, his remarkably supportive second wife, and his associations or wished-for associations with other Russian authors, such as Turgenev. The narrator's additional musings on the forces which eventually impel some later authors, like Solzhenitsyn, to seek exile, while other authors remain behind, bring Russian literary history up to date, expanding the novel's scope beyond that of Dostoevsky and his contemporaries and giving some historical context to Tsypkin's own writing.
Contributing to the dark and intense moodiness of the novel is its style. Single sentences, full of unique images but sometimes two pages long, drive the narrative and the reader along, with the insistence of the train ride which opens the novel. Because each of these sentences is often a single, extended paragraph, there are almost no visual breaks to provide respite from solid type, which completely fills each page and compels the reader to read every word. The writing is so strong, so energetic, and so fresh, however, that most readers will find themselves speeding to keep up with the narrative, the grayness of the text disappearing as Tsypkin's lively images emerge and his characters come to life. This is a challenging and utterly fascinating novel, a startling new work which has earned a place in Russian literary history.
LoveDostoyevsky made this trip to Baden-Baden prior to his spectacular literary successes; "The Idiot," "The Possessed," and "The Brothers Karamazov" all had yet to be published. Dostoyevsky was giving himself up to his vices: drinking, gambling, obsessing and, inbetween, suffering from the epilepsy that would plague him until the end of his life. Like all Russians, Dostoyevsky was "extraordinarily, passionately, in love with suffering." Seduced by anguish and despair, he gambled away his young, pregnant wife's jewels and finally was himself reduced to wandering the streets of the German resort town in beggar's rags.
Besides being an account of Dostoyevsky's summer in Baden-Baden, this book is also a memoir of Tsypkin's journey to St. Petersburg to visit the apartment in which Dostoyevsky died. Supposedly, Tsypkin's aunt, a literary critic, gave Tsypkin an old volume of Anna Grigoryevna Dostoyevsky's "Reminiscences," in which Anna details the intimate moments of her honeymoon in Baden-Baden. As Tsypkin travels farther and farther north, he weaves his own narrative into the narrative of Dostoyevsky.
Although Tsypkin adores Dostoyevsky's work and, on some level, has come to worship and revere the man, his reverence does have its reservations. Tsypkin, we learn, is a Jew and, as anyone at all familiar with Dostoyevsky knows, the great writer hated Jews. All Jews. Thus, despite Tsypkin's adoration, Dostoyevsky would have hated Tsypkin.
Tsypkin writes beautiful prose that is a combination of Joyce, Proust, Woolf, Saramago and Sebald, though any comparison is ultimately unfair to all of the authors involved. Tsypkin's prose is...Tsypkin's prose, though like Saramago and Sebald, one sentence can go one for four or five pages, one paragraph for forty or more. And, again reminiscent of Sebald, Tsypkin is seduced by memory and its connections; one thing leads him to another, which leads him to another, which leads him to yet another. If this puts you off, don't let it. Tsypkin is a wonderfully hypnotic writer and it doesn't take many pages of the book until the reader is drawn into both Tsypkin's world and the world of Baden-Baden during the summer of 1867. If anything, I wish the book would have gone on and on.
Although Tsypkin and the Dostoyevsky's take center stage in this novel, it is peopled with many other fascinating characters as well, some real, some fictional: Turgenev, Pushkin, Prince Myshkin, Trusotsky, Fyodor Karamazov and Stinking Lizaveta.
This book should be read, first and foremost, because it is a beautiful literary achievement. But it should also be noted that Tsypkin, like Babel, Pasternak, Bulgakov, Solzhenitsyn and so many others before him did not let oppression keep him from seeing the beauty in life or from discerning the truth from the lies. And, most of all, nothing kept him from passing that beauty on.


SuMmEr'S sHaDoW'sThe main character of the story is Abby. She is in the process of breaking free of the chains (her parents) that have held her in bondage quite long enough, in her opinion. Her overly protective parents feel that Abby cannot survive at all without them there, guiding her every step of the way. These two opinions, being as opposite as they are, clash to a very strong degree when Abby moves to Seaside and in the end, does get her freedom, which she fights so hard for. While living in Seaside, Abby is the witness to a hit and run accident but afterwards suffers from some sort of amnesia and cannot remember the driver of the involved vehicle. The little girl that was hit brings back painful memories from Abby's past, which causes her even more grief over not remembering what has happened. As time goes on, Abby grows an interest in her landlord, Marsh, which cannot be ignored. Why ignore it though, when Marsh has the same feelings for her? These two very different people fall in love and help each other in many ways.
The plot of this story is great, and the ending is almost as great, aside from that the revealing of a villain who should have been discovered at the end was given away too early in the story, thus leaving no big surprise at the end because the reader already knows who is to blame. Aside from that, the book has a strong, interesting ending that will keep readers intrigued up to the very last word.
The epilogue is also enjoyable because it lets the reader know about everything that happens after the end. Leaving on a good note, readers are excited for the next book to be released.
Two Seasons down, two to goI thoroughly enjoyed Abby's quest for freedom, Marsh's quest for peace and quiet and Rick's quest for something real. I also enjoyed the fact that the "mystery villain" actually WAS a mystery for quite a bit of the book, and that I was surprised to learn who it was. And I'm still laughing at the concept of a cat named Puppy!
This book is a good entertaining read, but it's also full to the brim with useful, edifying subject matter, a perfect blend of romance, intrigue and good, solid Christian faith. In other words, you'll enjoy reading this, but be careful- you just might learn something!
Summer Shadows a Spectaular Summer Romance!

Nice Pictures but too little material.
For the right audience, a must have -- read on...
You'll pull this book out time and time again.

Good... but aging.Cody's prose is easy to read, and his focus shifts pleasantly between the people he meets, the river itself, the issues surrounding it, and the workings of the canoe trip.
The real problem I see is that Cody took his trip in 1990. Some of his information, obviously, is still solid, but in other areas, Voyage is getting dated. There's been a whole new round of power generation arguments, salmon policy changes, and weather shifts since then. The Hanford tank farms, in particular, have completed a major cleanup project, and a lot of the menacing toxic-waste threats he announces have been solved, softened, or shown to be less dangerous than thought. So it's a good book, but you have to read it with its age in mind.
Classic adventuring, voyaging, sense of place, traveler
Wonderful and non-biased observations

A little unexpected will do ya
A BELLYFUL OF GOOD WRITINGSay, you're hungry for a good read . . . zesty and a little different. . . nothing elaborate, but still a combination of different tastes and textures--like a smorgasbord. How about the collection in this edition of "Francis Ford Coppola's ZOETROPE: ALL-STORY"?
Are you familiar with what certain ethnic restaurants call "tapas"? They're essentially appetizers--small, exquisite dishes, good to nosh--though, if you order a number of them, they can add up to quite a varied and sumptuous meal. Think of this collection that way. Everything may not suit your particular taste, but certainly there are stories here to please your palate; perhaps altogether they'll satisfy you.
I can't make guarantees, yet. . .well, let me tell you what grabbed me. On the dry, witty side, I liked Melissa Bank's "The Girls Guide to Hunting and Fishing," a satire on certain kinds of self-help books, and Jon Billman's "Custer on Mondays," a wry salute to the last stand of an overage Peter Pan. On the other hand, the "gritty" side, I was really taken by George Makana Clark's bitterly poignant "The Leopard Gang," set in colonial southern Africa, and Chris Spain's urban adolescent fable of the concrete jungle, "Scaring the Baddest Animal." For dessert I'd suggest Tim Gautreaux' "Dancing with the One-Armed Gal" and Robert Olen Butler's "Fair Warning".
The two essays are the veritable appetizers of this collection: Salman Rushdie's narrative is a purely Anglo kind of 'Adventures in the Screen Trade.' David Mamet's short piece is almost typical Mamet pontification (as in his WRITING IN RESTAURANTS and THREE USES OF THE KNIFE): ". . .the summer film is an exhibition pure and simple...it is our state fair".
This presentation was a pleasant surprise. Thumbs up!
A more than worthy anthology

The Empty Summer
The Empty Summer is AWESOME!
This book was well written

A Lovely Read
Fantastic Adventure of the Hurricane
Exciting Hurricane Story

Missed OpportunitiesI also was thankful that I wouldn't have to read ANOTHER rant against the cowboy culture of the local outfitters. (And I have little love for the outfitting business to begin with...) While this subject is certainly worthy of discussion, there are other numerous topics equally deserving of attention. Unfortunately, Ferguson doesn't give most of them more than a cursory paragraph.
In the end however, despite his obsession with the outfitters, the book is entertaining and informative for those familiar with the area as well as armchair adventurers.
The Aptly-named ThorofareFew people are more qualified than Gary Ferguson to understand the origins and ramifications of the issues for all concerned. The book is clearly written. Interspersed with revelatory passages about man vs. man vs. nature are classic Ferguson paeans to the glory that is Yellowstone, leavened with entertaining contemporary and historical anecdotes.
My only negative comment about this book, a must-read for those seeking a thorough understanding of Yellowstone's precarious place in this world, is that the copy-editing (if any) is astonishingly poor. Some may not be put off by these gaffs, but such sloppiness risks diminishing the author's credibility among other readers, and that does "the cause" no good.
Great read - particularly if visiting Yellowstone

A wonderful reminiscence of growth.
Making Sense of a LifeJust as compelling is Kingdon's incisive treatment of sexual orientation. By integrating the theme of homosexuality into the narrator's life--neither its central factor nor a peripheral element but just a fact of existence--and by showing implicit parallels to her own (straight) sexuality, she counters the anti-GLBT people who insist upon inflating sexual orientation into angelic or demonic monstrosities. Kingdon tells it like is about sex: Love confers meaning and integrity upon sexual practices, not mechanics or gender.
Even if you don't care about the inner journey of the narrator or homosexuality, you can still enjoy this novel as a travel book. But if you do care about them, you'll enjoy the trip even more.
Kingdon in One Fine Story Teller

Summer, sorry it was so short
uplifting Summer for a Lifetime
A Summer of a Lifetime